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In addition to producing the porcelain polo, unlikely to be worn or re-produced, Lacoste asked Li Xiaofeng to design some cotton polos for the Holiday Collector’s Series 2010.

李晓峰制作的青花瓷马球衫虽设计感十足，但可穿性并不强。

Amidst the countless details on the porcelain polo, the most centralis the point where the pheonix meets the crocodile above the collar. Li Xiaofeng points to this as a point where the emblems of East and West meet. The Lacoste logo represents the West and the pheonix is a traditional symbol of imperial China.

I think that when considering this piece – especially as a commentary on the Lacoste logo – it helps to remember its predecessor: last year’s super-limited edition Campana Brother’s polo, of which there are 24 in the world. As comentaries on branding and logos, how do these compare?